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Cycles of Eternity

by In Mulieribus

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Ave Maria 04:05
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We climb the slopes of life with throbbing heart, And eager pulse, like children toward a star. Sweet siren music cometh from afar, To lure us on meanwhile. Responsive start The nightingales to richer song than Art Can ever teach. No passing shadows mar Awhile the dewy skies; no inner jar Of conflict bids us with our quest to part. We see adown the distance, rainbow-arched, What melting aisles of liquid light and bloom! We hasten, tremulous, with lips all parched, And eyes wide-stretched, nor dream of coming gloom. Enough that something held almost divine Within us ever stirs. Can we repine?
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The subtlest strain a great musician weaves, Cannot attain in rhythmic harmony To music in his soul. May it not be Celestial lyres send hints to him? He grieves That half the sweetness of the song, he leaves Unheard in the transition. Thus do we Yearn to translate the wondrous majesty Of some rare mood, when the rapt soul receives A vision exquisite. Yet who can match The sunset’s iridescent hues? Who sing The skylark’s ecstasy so seraph-fine? We struggle vainly, still we fain would catch Such rifts amid life’s shadows, for they bring Glimpses ineffable of things divine.
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Life! Ay, what is it? E’en a moment spun From cycles of eternity. And yet, What wrestling ’mid the fever and the fret Of tangled purposes and hopes undone! What affluence of love! What vict’ries won In agonies of silence, ere trust met A manifold fulfillment, and the wet, Beseeching eyes saw splendors past the sun! What struggle in the web of circumstance, And yearning in the wingèd music! All, One restless strife from fetters to be free; Till, gathered to eternity’s expanse, Is that brief moment at the Father’s call. Life! Ay, at best, ’tis but a mystery!
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Ave Maria 02:52
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about

In Mulieribus' fifth CD, "Cycles of Eternity," is their first album of music from contemporary composers featuring significant 21st century contributions to the repertoire for women’s voices with a focus on living, local composers, as well as female composers and poets of the past and present. The majority of the music is previously unrecorded.

The album opens with the rousing Columba Aspexit by celebrated British composer Tarik O’Regan. Based on Hildegard’s sequence of the same name, it quotes various sections of the original chant melody while displaying O’Regan’s own creativity and brilliance. What follows is John Vergin’s Ave Maria, the first of two Ave Maria settings on the disc, both written for In Mulieribus. Vergin effectively captures the prayer’s reverent, then petitionary, tone. The next three tracks comprise From Cycles of Eternity, a choral song cycle in three movements by Oregon composer Andrea Reinkemeyer. “Aspiration,” “Limitations,” and “Life” are all settings of poems by African-American poet Henrietta Cordelia Ray that use musical language to express timeless thematic materials, including the brevity of our individual lives within the great expanse of time, artistic struggle, our relationship with nature, and collective dreams of freedom. Portland-based composer Craig Kingsbury ingeniously uses gentle dissonance, asymmetrical meters of 7/8 and 10/8, and occasional hints of flamenco in the harmonies to dramatize images of seven maidens singing as a metaphor for the seven colors of the rainbow in Canción de las siete doncellas, a piece commissioned by In Mulieribus for their 10th Anniversary Season. Kay Rhie's Hymn of Kassia is an impassioned homage/companion piece to 9th century Byzantine abbess and poet-composer Kassia and her most famous composition, Hymn of Kassiani. The lyrical Ave Maria by Robert Lockwood concludes with the text “O mater Dei, memento mei” – a nod to the famous Ave Maria setting by Josquin des Prez. The last two tracks both feature ancient texts that have continued to endure and inspire music throughout the centuries. Misterium Mirabile by British composer Nicola LeFanu highlights the floral imagery associated with the Virgin Mary, while The O Antiphons by Norwegian composer Wolfgang Plagge juxtaposes medieval musical styles with rich, complex harmonies characteristic of jazz and modern music. The resulting effect is a work that embodies the full range of moods expressed in the original “O” Antiphons, ranging from moments of peaceful contemplation to extreme urgency, from intense yearning to exuberant joy.

credits

released July 3, 2020

ARTISTIC DIRECTOR/CONDUCTOR: Anna Song. SINGERS: Kari Ferguson, Amanda Jane Kelley, Arwen Myers, Catherine van der Salm, Ann Wetherell, Susan Hale, Jenna Hernandez, Hanna Penn, Jo Routh. PRODUCER: Blake Applegate. ENGINEER: Roderick Evenson. EDITING AND POST PRODUCTION: Roderick Evenson, Blake Applegate, Anna Song. MASTERING: Roderick Evenson. GRAPHIC DESIGN: Catherine van der Salm. BOOKLETS TEXTS EDITOR: Anna Song. COMPOSERS: Tarik O'Regan, John Vergin, Andrea Reinkemeyer, Craig Kingsbury, Kay Kyurim Rhie, Nicola LeFanu, Robert Lockwood, Wolfgang Plagge.

COVER ART: "Cycles of Eternity," Copyright © Rev. Tuesday Rupp

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In Mulieribus Portland, Oregon

In Mulieribus—the Latin phrase meaning "among women"—is a women's vocal ensemble dedicated to the promotion and enrichment of community through the art of music with a focus on works written primarily before 1750.

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